The grave monument in Gytsjerkwas erected in memory of Maria v/d Heuij. Maria was one of seventy evacuees from Arnhem and Limburg who arrived in Gytsjerk on 22 January 1945. Maria died a day later, just a few months old. The harsh conditions during the trip had proved fatal to her. Maria did not live to see the liberation. Fortunately, many of the other evacuees with whom she undertook the journey did.
Symbolism
The monument's spiritual father, artist Klaas Bokma, chose two carts because this was the means of transport often used by evacuees. The four withered trees symbolise death. The cross is not only a symbol of the Christian faith, but also a reminder of the sacrifice made by war victims for a life of freedom.
The oldest pupils of Ichtus and Thrimwalda primary schools take care of this monument.
Often to understand, we have to look into emptiness – Michelangelo Antonioni
Winter line skean tsjin de apelhôven, liet de mûle in lang swijen, begjin april, spoaren fan lytse hoefdieren yn de snie en oer de mûnier, dêr’t in rûge froast syn flierren sloech, de rop fan in ûle. Earne út nacht syn ûnderwâlen wei kaam in frou, in pear redens om ’e hals, de ring fan it lantearneljocht yn en ferdwûn, in skaad foar har, in skaad achter har, de iisbaan oer, it tsjuster yn. Inkeld útsinnige kiel wie ik doe’t by in hast dierlik oerémisk roppen ik út myn dreamen wekker skeat en mysels weromfûn yn de dize oer de Po-flakten fan Antonioni, dêr’t in kamera oer de sompen glied. Ik seach iisblommen op de ruten, begjin april, sette de ôftiteling stil by de namme fan Anna. Winter line skean tsjin de apelhôven, liet de mûle in lang swijen. Der gie in snijen, sûnder ophâlden.